The game takes place long after the end of humanity, and small anthropomorphic mammals have become the dominant species. You play as one such creature who has been tasked with saving, or destroying, the Tree-of-Life. You’ve also been tasked with uniting all the tribes of the world, and taking down your parents’ murderer.
Let’s just say that there is a lot on your “to do list.”
I remember seeing quite a bit of information about this game a few years ago, and I was pretty excited by what I saw. It was going to have your characters look reflected by their stats. So, high agility would result in a lankier appearance, while high strength would create someone a little beefier. I also remember seeing that kung-fu was somehow involved, as were giant monsters, and giant mechs.
Basically, I was sold from the get go.
Then time passed and I sort of forgot about Biomutant. I’d see something about it every now and then, but largely, it fell by the wayside.
When it finally dropped on the Playstation Store, I suddenly remembered everything I’d seen and heard about it, and bought it right away.
This was a…
I’d like to let you know why, so you don’t make the same one.
Sound and Fury
Biomutant’s story is a confusing mess, and is arguably its worst aspect.
The game starts with your character casually using a puddle of hazardous waste to mutate one of their hands. You then go through a tutorial of sorts where you fight an invincible monster in order to learn the basics of combat.
When that’s over, you make your way through a bunker while occasionally fighting the odd bad guy.
However, once you run into Out-of-Date—a wheelchair-bound old man—you get a lot of information all at once.
He tells you that you are, apparently, the offspring of some great warrior who once united all the tribes. Unfortunately, all the tribes split up again when she was murdered.
So now you need to unite the tribes again.
Also, Out-of-Date planted a Tree-of-Life when he was younger, and now the Tree-of-Life is dying, so the world is dying with it?
It’s a little unclear how that works, but he does instruct you to kill four giant monsters that are destroying the roots of the Tree-of-Life.
So, you need to unite all the tribes, and save the world… unless you don’t want to do that. Out-of-Date is pretty upfront about the fact that you can choose to destroy the Tree-of-Life and be a bad guy, and that it’s a perfectly legitimate choice to make.
Oh, also, that guy you fought in the tutorial? He was the guy who killed your parents, and he’ll show up occasionally to try and mess you up.
I know that stories in open-world games can be a little dicey sometimes, but this heap of exposition and plot points is extremely jarring. Out-of-Date, in one info dump, gives you all your main quests and then appoints you savior/destroyer because your mom was important.
The story doesn’t get any more coherent. In fact, it kind of devolves from there.
A Nettlesome Narrator
One thing I thought I was really going to like about Biomutant was the narrator. The soft spoken british voice was welcome in the opening, and hearing him use words like “Jumbo Puff” and “Brown Bobs” was hilarious.
However, it soon became pretty apparent that the narrator was not injecting the game with personality. He was, in fact, sucking it out.
I think it came down to the fact that with him voicing over every single character, every single character became a soft-spoken british guy. It didn’t matter how crazy the characters looked, or acted, all of them had the same voice to define them.
There was also the matter of him interrupting the flow of events. He was scripted to say things at specific times. When the sun rises, he says some platitute about light being good, which is fine. It’s less fine, however, when you’re in the middle of ransacking an enemy settlement and he says “Ah, light has come to the world” or “feel the sun on your face.”
It was really weird and he needed to cut it out.
Now, I’m not saying that this kind of narration can’t work. I think it worked very well in Maneater. The shark’s actions in that game were given a voice and personality by the very talented Chris Parnell, and it worked perfectly with the documentary feel that the game was going for.
Unfortunately, when you take away the voice of a cast of characters — who actually have their own personalities– you do them a disservice by washing over everything with that same documentary-ish voiceover.
Fortunately, the latest patch for Biomutant sort of remedied this by giving you the option to turn off the narrator. I honestly haven’t tried it since then, but it can’t have been anything but an improvement.
Meh To Combat
The combat in Biomutant was abysmal for a number of reasons.
The first and foremost is the fact that stats didn’t seem to matter… like at all.
The first character I created was a Psy-Freak with an intellect of 50, which seemed high at the time. I chose Psy-Freaks because they start off with an electric bolt attack and I wanted to capitalize on it for the early game. Unfortunately, with an intellect of 50, the bolt did middling damage.
So, I started over and created a Psy-Freak with an intellect of 100… and the bolt still did middling damage. I was a little disappointed, but I attributed this to the fact that it was still the beginning of the game. I would assuredly get stronger later, right?
Halfway through the game, all of my psy-powers were still doing middling damage and they never seemed to get much stronger no matter how many points I put into intelect. In fact, I did as much damage with my two handed weapon and 20 overall strength as I did with over 200 intellect and a bolt of lightning.
This was the most egregious of all my issues with the combat but there were others… which I shall now list.
- No good way to lock onto an enemy
- All the fights felt the same
- Enemies would reset if you got more than a few feet from where the fight started
- There was no urgency to fights (I never felt engaged or challenged)
- Did I mention that all the fights felt the same?
- My attacks lacked weight, so I didn’t feel like I was doing any damage.
There were more issues, but I can heap them under one word.
The combat was “floaty.”
With combat out of the way we can move on to…
The Other Terrible Things About This Game
- The way you upgrade your automaton (a little bug robot that helps you out) is with weird flashbacks given by a “mirage” that you must “catch.” However, it is neither a mirage nor does it run… so you just talk to a guy and he lets you pick whichever upgrade you want for no particular reason.
- Most quest objectives are in hazardous areas, and the only way to get through the area is with a specific item, which is usually hidden in another hazardous area… and the only way to get through the area is with another item which is in another restricted area.
- The NPCs kept giving me shit for wanting to save the world. They kept saying stuff like “Why are you trying to save the world you idiot? Let it burn.” Which is disheartening when you hear it from half the people you run into.
- My giant mech did far less damage than my character did on foot (Pre upgrades).
- The in-game cutscenes were very poorly shot and animated. They literally looked like Playstation 1 cutscenes, but with better graphics.
I’ll stop there because I feel like I’ve badmouthed the game enough for the moment. I’d like to get to the two things I actually like about Biomutant.
Two Rights Wont Save a Game
The first thing I like about Biomutant is the aesthetic. It’s not perfect, but it is pretty.
I like the bright colors, I like the somewhat stylized look of everything, and I like the way they meshed post-apocalyptic junk with little fuzzy animals. One of my few joys while playing this game was running around to take a look at everything.
Unfortunately, once you start looking around, you realize that even though there are places to explore, the impetus to get lost and wander is very low. Most places have a few items to grab, and maybe a puzzle to solve, but I never felt the need to explore, which is paramount in an open-world game.
The other thing I liked was the way you crafted in-game weapons. In fact, this was probably the highlight of the game for me.
You start off with a base weapon part to which you attach a handle and some random odds and ends that increase things like damage and armor piercing. When you’re done, you simply hit craft and—bam—you come out of the creation menu like…
Again, the system isn’t perfect. You only find so many parts for weapons, and can only put them together in so many ways, so it gets repetitive pretty quickly. However, I can see the potential in this type of crafting system. If Experiment 101 had expanded this aspect, and tightened up the combat, they might have created something worthwhile.
Overall, Biomutant was not good. It was a hot mess of elements thrown together in the hopes that it would make a decent game. The story lacked direction and weight, so it slid all over the place. The combat was so lackluster that I have a hard time describing why it’s so lackluster. And the overall experience was sub-par to the point that I think my mind is actively purging anything related to Biomutant.
Hopefully, my mind leaves enough behind that I know never to play it again.
I’m giving Biomutant a malignant 3/10. I found a couple of things to enjoy in this game, and other people may even find things they love. However, to me, it’s not worth the time or the asking price.
I usually like to end with a little joke that calls back to something about the game, or to an earlier part of the post—like this time I was going to do something with forgetting about the game and “wondering if I should give it another try”—but I’m just going to end by saying this:
Do yourself a favor and don’t buy Biomutant.